I’ve worked with countless bands for almost two decades. Back in the days I had just two mics and an old pc. Since then I’ve collected some of the finest gear and experience to produce music on the absolute highest level.
I do everything from full music productions to television work, but most of my days I focus on mixing and mastering modern metal.
I’ve put a lot of thought into what makes the ”sound of a record” and built a hybrid studio to support that philosophy. It has some selected analog outboard that I think is still necessary. The heart of the setup is a Rupert Neve Design summing system, that gives a sonic footprint of a large format console with full recall abilities. I also prefer real amps over plugins whenever possible. Music is a form of art and every album should have a sound of its own.